Dena DeRose Trio
SAT, SEP 12 | 6 PM Smalls Jazz Club
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About
It’s no small accomplishment to be thought of as “The most creative and compelling singer-pianist since Shirley Horn”, but that’s exactly how Joel Siegel of the Washington City Paper described Dena DeRose. If she comes to your city and you want to catch the show, go early, because the room is going to be packed. She not only awes her audiences and music critics with her facility on the piano and her swinging, soothing vocal style but, as Richard Scheinin of the San Jose Mercury aptly put it, “… she exudes joy … what soul!”
DeRose has appeared in the Downbeat Magazine ‘Critics Awards’ listing as an ‘Artist deserving wider recognition’ every year since since 1998. Articles and CD reviews have appeared in most jazz publications and online sites such as JazzTimes, Downbeat, Jazz Is, All About Jazz, Jazz Hot, Jazz Podium, Jazz It, and her music can be heard on most jazz radio in the U.S., Canada, Europe, Asia, South America, and many online jazz radio stations, apple music, pandora, spotify, youtube, etc.
As a recording artist, DeRose has 14 CDs to her credit and will release her 3rd release for HighNote Records in March 2020 that will feature songs from Alan Broadbent, Bob Dorough, Mark Murphy, Al Cohn, Marvin Hamlisch, and a few penned by DeRose. Her band includes, Matt Wilson, Martin Wind, and special guests Houston Person, Jeremy Pelt, and Sheila Jordan!
A Professor of Jazz Voice at the KUG Jazz Institute in Graz, DeRose moved from NYC to Austria where she’s lived for the past 14 years continuing to perform as a leader around the world at many of the great International Jazz Festivals and clubs like Birdland (NY), Birdland Theater (NY), Bluenote (NY), Jazz Standard (NY), Mezzrow (NY), Smalls (NY), Yoshi’s (SF), Jazz Showcase (Chicago), Jazzland (Vienna), Duc des Lombards (Paris), etc.
Bassist and composer Martin Wind was born in Flensburg, Germany in 1968 and moved to New York in 1996 to study at New York University (NYU) with a scholarship by the German Academic Exchange Service.In 1995 he earned himself a diploma as Orchestra Musician at the Music Conservatory in Cologne, Germany while studying with Prof. Wolfgang Guettler, former bassist with the Berlin Philharmonics.In 1998 he earned his Masters degree in Jazz Performance and Composition studying with Mike Richmond, Jim McNeely, Tom Boras, Mike Holober and Kenny Werner.Since his move to New York Martin has become a regular at all major jazz clubs and is also in demand as a session player; his credits include movies such as The Alamo, Intolerable Cruelty, Mona Lisa Smiles and Fur. * In 1995 Martin came in third at the International Thelonious Monk Bass Competition in Washington, D.C. * In 1996 Martin Wind won the first Cognac Hennessy/Blue Note Jazz Search in Germany with his trio Dreikland and got to record an album for Blue Note Records. * In 2000 he was the first Jazz musician to win the Cultural Award of his home state Schleswig-Holstein.Martin has released about 10 albums so far as leader/co-leader including his debut album Gone with the Wind (1993), Tender Waves (1996), Dreiklang(1997), Family (1999), and The Soccerball (2002).Currently Martin is member of the trios of Bill Mays, Dena DeRose, Don Friedman, James Gordon Williams and Russ Kassoff.He also appears frequently with Matt Wilsons Quartet and Arts and Crafts, and Bill Goodwins Orntette.With Bill Mays, Martin has been playing for more than a dozen years and theyve released many albums together, notably Bills three recordings for the Palmetto Label. Martin Wind has recorded and/or performed with the following artists: Guidon Kremer, Christoph Eschenbach, Mstislav Rostopowitch, Lalo Schifrin, Monty Alexander, Pat Metheny, Clark Terry, Mark Murphy, Slide Hampton, Toots Thielemans, Jim McNeely, Buddy DeFranco, The Metropole Orchestra, Radio Big Bands Cologne, Hamburg, Frankfurt and Berlin, Michael Brecker, Randy Brecker, Eddie Daniels, Curtis Fuller, Phil Woods, Bud Shank, Johnny Griffin, Bucky Pizzarelli, Mike Stern, Terell Stafford, Larry Goldings, Village Vanguard Orchestra and others.Martin Wind has been on the faculty at New York University for close to 10 years and is also a faculty member at the National Youth Jazz Orchestra Germany and at the Neuburg Summer Jazz Camp.In 2005 Martin was commissioned to write the music for an American Place Theatre production of Tim OBriens novel The things they carried.Weblinks:www.martinwind.com
My storybecause all of you care to know!
I was born in the prairie town of Knoxville, Illinois September 27th 1964. I was lucky to have cool parents who encouraged me in my creative pursuits where it was music, theater, writing or weird art. I became interested in playing the drums in the third grade after seeing Buddy Rich on the Lucy Show. He was judging a local drum contest featuring Ricky Jr. a fine drummer. Inspired, I pooled together some capital and purchased some Ludwig 9a sticks at the local Byerly Music store. With sticks in hand I began exploring a wide range of suitable cookware and five gallon buckets as sound sources. Soon my parents made in investment in a used of brand snare drum drum and cymbal. My middle brother played the saxophone and we immersed in the local PTA and 4H concert circuit at a very young age. It was quite a duo, Mark with his Beuscher tenor and me with my minimalist set up of orange sparkle snare drum and 10 sheet metal cymbal. We had a book that explored all of the hits of the 60's and 70's. (We were serious Herb Alpert afficiandos). We even had some cool schtick: I guess times have not really changed.
I played in all of the groups in school and finally learned how to read music.I had a cool high school band director who started hiring me to play drums in his weekend dance band. I t was fun and I made some cash which was nice for an eighth grader. Soon I was playing in local groups of all kinds. A big band, very creative rock band called Common Denominator, country bands, Dixieland bands anything I could play. I was also extremely fortunate to study with a great local drummer who taught me music not just how to play fast. He was very inspirational and was very helpful in my pre paring for college.
I went to college at Wichita State University and there was exposed to one of the most influential mentors of my career, Dr. JC Combs. He is not only a fantastic percussionist but he possesses one of the most creatively fertile imaginations on the planet. We played percussion works featuring a wide array of strange components. Pinball machines, cloggers, bowlers and professional wrestlers all were standard fare. He also instilled in me a true entrepreneurial spirit. Combs always knew how to market and get folks to the concerts that were always sold out no matter how bizarre. My colleagues were equally insane and it was a inspirational environment to spend my college years.
Wichita also had a lot of great opportunities to work so I kept quite a busy schedule between working and school. Sleeping in one of the huge lecture classes was common.
I am grateful for all of the experience I gained from years in Wichita.
I am also grateful for Wichita for it is where I met my wife Felicia who was a hot shot violin major from Tulsa, Oklahoma. We met our freshman year in school and married in August of 1987. The fall of 1987 we loaded up the Ryder truck, 1984 Chevy Citation in tow and moved to Boston where she got her masters from New England Conservatory.
Boston was hopping and I took full advantage to see and play with everyone I could. I had the wonderful opportunity to play, tour and record with some great bands and musicians including the Either/Orchestra, Charlie Kohlhase Quintet, Bevan Manson, John Medeski, Dominique Eade and countless others. It was a great place to be and the many of my Boston colleagues have gone on to be some of the most influential musicians of their generation.
Two words began to echo in my brain New York. I knew it was time and with encouragement from folks like Cecil McBee and Andrew Cyrille we decided to head south to the Big Apple. I loved the energy of the scene immediately and began playing with some amazing musicians.
Weblinks:
www.mattwilsonjazz.com
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