Bruce Barth Trio
TUE, SEP 29 | 7 PM Smalls Jazz Club
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About
Jazz pianist and composer Bruce Barth has been sharing his music with listeners the world over for more than two decades. Deeply rooted in the jazz tradition, his music reflects both the depth and breadth of his life and musical experiences. In addition to traveling widely performing his own music, he has also performed with revered jazz masters, as well as collaborated with leading musicians of his own generation. And most notably, his performances feature material from his large book of very powerful and imaginative original compositions, written in a voice that is both deeply personal and expressive. In a recent review in the Newark Star-Ledger, Zan Stewart writes No one sounds quite like Barth. His solos are characterized by robust swing, his ability to tell a story, and by his rich, beguiling sound.Bruce has performed on over one hundred recordings and movie soundtracks, including ten as a leader. He is equally at home playing solo piano (American Landscape on Satchmo Jazz Records), leading an all-star septet (East and West on MaxJazz), and composing for a variety of ensembles. His trio has recorded live at the legendary Village Vanguard in New York City, and he recently released a new DVD, Live at Café del Teatre, on Quadrant, recorded live at the Lleida Jazz Festival in Catalunia.Bruce arrived on the New York jazz scene in 1988, and soon joined the great tenor saxophonist Stanley Turrentine; their musical collaboration spanned a decade. Shortly thereafter, he toured Japan with Nat Adderley, and toured Europe and recorded with Vincent Herrings quintet with Dave Douglas. In 1990, Bruce joined the Terence Blanchard Quintet; the band toured extensively, and also recorded six CDs, as well as several movie soundtracks. In 1992, Bruce played piano on-screen in Spike Lees Malcolm X .While in Terence Blanchards band, Bruce recorded his first two CDs as a leader, In Focus and Morning Call for the Enja label; both were chosen for the New York Times top ten lists. These recordings displayed not only Bruces powerfully fluent piano playing, but also the scope of his own compositions and his imaginative arrangements of jazz standards. Throughout his professional life, Bruce has had extended collaborations with Tony Bennett, Steve Wilson, Terell Stafford, Luciana Souza, and Karrin Allyson and David Sanchez. And he has performed with James Moody, Phil Woods, Freddie Hubbard, Tom Harrell, Branford Marsalis, Wynton Marsalis, Art Farmer, Victor Lewis, John Patitucci, Lewis Nash, and the Mingus Big Band.Originally from Pasadena, California, Bruce was born into a musical family, and started banging on the piano almost before he could walk. By age five, he was taking lessons, although he preferred to play by ear. When he turned eight, his family moved to New York, where he studied piano and musicianship with Tony and Sue LaMagra for the next decade. For his fifteenth birthday, Bruces older brother, Rich, gave him his first jazz record, Mose Allisons Back Country Suite. Bruce fell in love with both the music and the genre. Inspired, he taught himself to play jazz by listening to records and imitating his many favorite pianists and horn players. Later on, he studied privately with Norman Simmons and Neil Waltzer, and eventually enrolled in New England Conservatory in Boston, where he studied with Jaki Byard, Fred Hersch, and George Russell. Bruces first professional recording was Russells masterpiece, The African Game, captured live on Blue Note Records. In 2001, Bruce released East and West, which Stereophile called one of the best jazz albums in recent memory. It featured an all-star septet playing Bruces compositions based on his childhood memories of the western United States, with its deserts, ranches and ghost towns. Bruce continues to compose extensively for that septet, which has appeared at major jazz clubs in Manhattan including The Jazz Standard and Smoke, as well as at many European jazz festivals. In recent years, Bruce has made three solo piano tours of Japan, and has also performed with his trio throughout the United States and Europe. All About Jazz has described the trio, as heard on the Live at Café del Teatre DVD (featuring Doug Weiss on bass and Montez Coleman on drums) as marked by keen empathy, sensitivity, and power.Bruces frequent collaborators and band members have included: Adam Kolker, Tim Armacost, Scott Wendholt, George Robert, Dave Stryker, Carla Cook, Paula West, Rene Marie, Brad Leali, Sam Newsome, Luis Bonilla, Doug Weiss, Vicente Archer, Ed Howard, Ugonna Okegwo, Montez Coleman, Dana Hall, Adam Cruz, Pat OLeary, Dayna Stephens, Chris Lightcap, and Rudy Royston.Bruce served two years on the panel for the U.S. State Department Jazz Ambassadors program, choosing jazz bands to represent the United States overseas. He is also a Grammy nominated producer, with more than twenty CDs to his credit.Finally, Bruce is a dedicated teacher, with more than ten years on the jazz faculty of Temple University in Philadelphia. He has also taught at Berklee College of Music, Long Island University, and currently teaches private lessons to City College University and New School students. Bruce has participated in many workshops, clinics, and seminars in the U. S. and abroad; he also maintains a private teaching studio, with students from the U.S., South America, Europe, and Japan.Weblinks:www.brucebarth.com
Originally hailing from Nottingham, England, New York City based bassist Mark Lewandowski musical journey began with him leaving home to study at the prestigious Guildhall School of Music in London. It was during these years at the Guildhall School that Mark began rapidly producing a strong name for himself as a fixture of the London jazz scene; playing regularly at the world famous Ronnie Scott’s Jazz Club, by only his second year in the capital. After graduating with a first class honours degree from the Guildhall School, Mark had the great honour of being awarded the Yamaha Jazz Award, which was presented to him by the UK Government at the Houses of Parliament. During this period he began a period of intense study with American master-bassist, the great Henry Grimes (Sonny Rollins, Thelonious Monk, John Coltrane). During this period in London, Mark had the opportunity to perform at many of the major concert halls and festivals in the United Kingdom including The Barbican, Ronnie Scott’s Jazz Club, The Queen Elizabeth Hall, Pizza Express Jazz Club with a diverse range of musicians both established and up- and-coming, including mainstays of the British jazz scene such as Sir John Dankworth, Julian Joseph, Alan Skidmore, Bobby Wellins, Peter King, Christine Tobin, Liam Noble, Jean Toussaint, Mark Lockheart, Julian Siegel, John Warren, Mark Sanders, Soweto Kinch and Paul Dunmall.
2017 saw the release of Mark’s debut release ‘Waller’ on Whirlwind Recordings label. This album solidified his reputation as a stellar bandleader and received rave reviews internationally. Featuring two of the most respected musicians on the European jazz circuit, pianist Liam Noble and drummer Paul Clarvis, Waller is an exploration of the music of one of the early innovators of the jazz genre, Thomas ‘Fats’ Waller. The album featured highly in critical polls ranking at Number 3 in Chris Phillips’ Jazz FM Charts.
This same year saw a seismic change, as Mark was accepted into the world famous Juilliard School’s highly prized Artist Diploma Ensemble. It was this that facilitated his move to New York City in August of 2017. Having only been in the United States for a little over 2 years, Mark’s career has taken off in the same rapid way that it had back home in the United Kingdom. He has been fortunate to work with such luminaries as Wynton Marsalis, John Surman, Joe Chambers, Johnny O’Neal, Steve Wilson, Javon Jackson, JD Allen, Sheila Jordan, Billy Drummond, Grant Stewart, Vic Juris, Dave Kikoski and many more.
Mark Lewandowski’s multiple recording credits occupy all areas of the jazz genre including such major artists as American cult composer and saxophonist John Zorn with whom Mark is featured on his Tzadik release ‘The Book of Beriah’ and closer to home with the Leo Richardson Quartet, who’s record ‘The Chase’ was selected as one of the Sunday Times ‘Best 100 Albums of the Year’ in all genres.
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